There are several international journals dedicated to medieval art, just as there are many dedicated to Hungarian art historical research. In this post I would like to call attention to two journals which may be not as widely known, but both of which contain a large number of important studies about medieval Hungary, among other topics. As such, they are both highly recommended for anyone interested in latest research in this field. Both journals celebrate important anniversaries this year, with the publication of volume 20. As this number shows, both journals started after the fall of Iron Curtain, and represent the increased scholarly connections of East-Central Europe with western scholarship in medieval studies. I will briefly introduce both journals and their anniversary issues below.
Hortus Artium Medievalium 20 (2014)
As the publisher informs us, Hortus Artium Medievalium is the annual journal of the International Research Center for Late Antiquity and Middle Ages (Motovun, Croatia), established in 1993 (IRCLAMA). The journal has a particular interest in studying artefacts for the history of art, and to study the period from Late Antiquity to the end of the Gothic period in an interdisciplinary, international and diachronic fashion. An annual colloquium gathers appropriate specialists, from which the papers are drawn. The journal is edited in Zagreb, by Miljenko Jurkovic, whose work is supported by an international editorial board and an advisory board. The high level of the publication is also ensured by Brepols Publishers. The strongest focus of the journal is on the Late Antique and Early Medieval period, as well as on the Mediterranean area, but there are also articles on other subjects. Among these there are also a large number of articles on Hungarian subjects. Articles are published in Italian, French, German and English, depending on the subject matter and the author.
The 20th anniversary issue starts with an overview of 20 years of IRCLAMA, after which a number of thematic units follow. The volume is so large, that it was split into two parts by the publisher: volume 20/1 is 428 pages, while volume 20/2 stretches from page 429 to page 886. The thematic groups are the following:
- Redefining urban space in late Antiquity and the Middle Ages
- Artistic transfers in the Middle Ages
- The (R)evolution in Christian Religious Architecture and Liturgy
- Images of Christianity and the (Re)making of Christian Identity
- Venice and the Adriatic in the Middle Ages
There are close to 100 articles in this double issue, if we count the introductory texts to each thematic units, and the studies are authored by a wide range of international scholars. There are also a number of book reviews. The journal is also made available online by Brepols, by subscripton (although some introductory texts are freely available). Here you can also browse older issues, which can also be ordered from the publisher.
Annual of Medieval Studies at CEU, Vol. 20 (2014)
The Department of Medieval Studies at the Central European University is an interdisciplinary center of postgraduate education and research located in Budapest. It gathers students from all over in Europe who are interested in studying the medieval past. The volumes of the Annual of Medieval Studies at CEU offer a series of articles on various aspects of the history of medieval Central and Eastern Europe and gives an overview of the articles of the department in the academic years. The journal is a very important forum for new research by young scholars in Central Europe, while also publishing articles by leading researchers of the period. The journal is interdisciplinary, and has a very strong focus on Eastern and Central Europe. Volume 20 of the annual celebrates 20 years of Medieval Studies at CEU. Like every year, there are a number of art historical studies in the journal - this time among other things on my favourite subject, medieval wall painting in Transylvania (by Anna Kónya).
Contents of new issues are generally listed on the department's website, but the journal is also freely available online, although the last five years are always password-protected.