Showing posts with label Croatia. Show all posts
Showing posts with label Croatia. Show all posts

Friday, November 28, 2014

Central European Journal Anniversaries

There are several international journals dedicated to medieval art, just as there are many dedicated to Hungarian art historical research. In this post I would like to call attention to two journals which may be not as widely known, but both of which contain a large number of important studies about medieval Hungary, among other topics. As such, they are both highly recommended for anyone interested in latest research in this field. Both journals celebrate important anniversaries this year, with the publication of volume 20. As this number shows, both journals started after the fall of Iron Curtain, and represent the increased scholarly connections of East-Central Europe with western scholarship in medieval studies. I will briefly introduce both journals and their anniversary issues below.

Hortus Artium Medievalium 20 (2014)


As the publisher informs us, Hortus Artium Medievalium is the annual journal of the International Research Center for Late Antiquity and Middle Ages (Motovun, Croatia), established in 1993 (IRCLAMA). The journal has a particular interest in studying artefacts for the history of art, and to study the period from Late Antiquity to the end of the Gothic period in an interdisciplinary, international and diachronic fashion. An annual colloquium gathers appropriate specialists, from which the papers are drawn. The journal is edited in Zagreb, by Miljenko Jurkovic, whose work is supported by an international editorial board and an advisory board. The high level of the publication is also ensured by Brepols Publishers. The strongest focus of the journal is on the Late Antique and Early Medieval period, as well as on the Mediterranean area, but there are also articles on other subjects. Among these there are also a large number of articles on Hungarian subjects. Articles are published in Italian, French, German and English, depending on the subject matter and the author.

The 20th anniversary issue starts with an overview of 20 years of IRCLAMA, after which a number of thematic units follow. The volume is so large, that it was split into two parts by the publisher: volume 20/1 is 428 pages, while volume 20/2 stretches from page 429 to page 886. The thematic groups are the following:
  • Redefining urban space in late Antiquity and the Middle Ages 
  • Artistic transfers in the Middle Ages
  • The (R)evolution in Christian Religious Architecture and Liturgy 
  • Images of Christianity and the (Re)making of Christian Identity
  • Venice and the Adriatic in the Middle Ages
There are close to 100 articles in this double issue, if we count the introductory texts to each thematic units, and the studies are authored by a wide range of international scholars. There are also a number of book reviews. The journal is also made available online by Brepols, by subscripton (although some introductory texts are freely available). Here you can als3o browse older issues, which can also be ordered from the publisher.


Annual of Medieval Studies at CEU, Vol. 20 (2014)



The Department of Medieval Studies at the Central European University is an interdisciplinary center of postgraduate education and research located in Budapest. It gathers students from all over in Europe who are interested in studying the medieval past. The volumes of the Annual of Medieval Studies at CEU offer a series of articles on various aspects of the history of medieval Central and Eastern Europe and gives an overview of the articles of the department in the academic years. The journal is a very important forum for new research by young scholars in Central Europe, while also publishing articles by leading researchers of the period. The journal is interdisciplinary, and has a very strong focus on Eastern and Central Europe. Volume 20 of the annual celebrates 20 years of Medieval Studies at CEU. Like every year, there are a number of art historical studies in the journal - this time among other things on my favourite subject, medieval wall painting in Transylvania (by Anna Kónya).


Contents of new issues are generally listed on the department's website, but the journal is also freely available online, although the last five years are always password-protected. 

Wednesday, November 28, 2012

Romanika.net presents: Art History - The Future is Now

Romanika.net, a Croatian website dedicated to the project "The Romanesque between the Sava and the Drava Rivers and European Culture," published a new online book on medieval art. Titled Art History - The Future is Now, the book contains studies published in Honor of Professor Vladimir Peter Goss celebrating his 70th birthday, 45 years of publication, and 40 years of university teaching. The editors of the volume are Maja Cepetić, Danko Dujmović, Vjekoslav Jukić, Aleksandra Nikoloska.

The studies in the pdf volume are published in English or Italian language (also including some in Croatian and German), and their subject matter ranges from ancient portraiture to Romanesque architecture and sculpture to Italian Gothic art.  The first section represents contributions by the 'Masters and their Heirs Apparent', the second by the 'Young Lions'. The authors come from various countries (9 total) - and include one Hungarian, Béla Zsolt Szakács, who writes on Santo Stefano Rotondo in Rome.  Among the authors there are Archeologists, Art Historians, Cultural Anthropologists, Linguists, reflecting Professor Goss’ true interdisciplinary orientation – of looking for the best in related fields. The book also contains a biography and bibliography of Professor Goss, as well as a study by Goss himself - reflecting on the present state and future of art and its history.

While calling attention to this new online publication, I would also like to recommend the romanika.net website in its entirety, as it reflects the interests of Professor Goss very well. The research project, to which this website belongs, surveys Romanesque sites between the Sava and the Drava rivers - the area now generally known as "Continental Croatia", which was part of the Kingdom of Hungary throughout the Middle Ages (equalling the northern part of Slavonia). The project is dedicated to "discovering the sites lost and forgotten long time ago, and thus creating outlines of a totally lost and forgotten cultural landscape. The main goal is to make the art of the Pre-Romanesque (both pre-Christian Slavic and Christian) and Romanesque in Croatia receive recognition and appreciation it fully deserves."

From this space and in the form of this brief post, I would like to salute Vladimir Goss, and wish him a lot of success in carrying this important project further! Sretan rođendan!


Maja Cepetić, Danko Dujmović, Vjekoslav Jukić, Aleksandra Nikoloska, eds.: Art History - the Future is Now. Studies in Honor of Professor Vladimir Goss. Rijeka, Faculty of Humanities and Social Sciences, 2012. 433 pp. Available online at: http://www.romanika.net/art-history-the-future-is-now-studies-in-honor-of-professor-vladimir-p-goss/

Saturday, October 20, 2012

Exhibition on medieval Croatia at Musée de Cluny

Following an exhibition on the territory of Slovakia in the Middle Ages (D'or et de feu, 2010), as well as an exhibition at the sister museum of Musée de Cluny, the Musée national de la Renaissance at the Château d'Ecouen on Renaissance in Croatia, the Musée national du Moyen Âge now presents an exhibition on Croatia in the Middle Ages.

Starting from 1102, the kingdom of Croatia lost its sovereignty and was ruled throughout the Middle Ages and later in the form of a personal union with the Kingdom of Hungary. The northern part of present-day Croatia, Slavonia, was part of Hungary proper, while the region of Dalmatia often changed hands between Venice and Hungary. At the time of king Louis the Great, Hungarian power was restored in Dalmatia in 1358 by the Treaty of Zadar. History and art in the territory of Croatia is thus inseparably connected to the medieval Kingdom of Hungary, evidenced by various works in the treasuries of Croatia originating from the centers of the Kingdom, including royal gifts - such as the series of treasures donated to Zara/Zadar by Louis the Great and his wife, Elisabeth. The object selected for the poster of the exhibition - the 14th century mitre from the Treasury of Zagreb cathedral is just such an object, likely donated to the cathedral by Louis the Great. However, it is still not entirely sure, whether this precious work - reworked in 1549 - was originally made in Hungary or Venice. Restored during 2005, the object was also shown in the 2006 exhibition dedicated to King and Emperor Sigismund, the successor of Louis the Great.

Mitre from the Treasury of Zagreb cathedral, 14th century 


The present exhibition features about 40 select works of art, including reliquaries, illuminated manuscripts, warrior equipment, and jewellery. It was organised as part of an ongoing Croatian festival in France, called "Croatie, la voici", which runs from September 2012 to January 2013. The festival is the result of a Croatian-French strategic partnership signed in 2010 by the presidents of the two countries, and the exhibition was also opened by the presidents. The exhibition, titled "Et ils s’émerveillèrent…" - Croatie médiévale opened on.October 10, and will remain on view until January 7, 2013. The exhibition is accompanied by a small catalogue. You can read a little more on the exhibition in the official press release of the museum (pdf), or on the website of Croatian Tourism Office, but overall, very little is available on the exhibition online so far. A slideshow of the exhibition is available on the Flickr-site of the cultural festival, also embedded below.

Thursday, October 21, 2010

Presentation of new book by Vladimir Goss

On Friday (October 22, 2010), an art history workshop - or a discussion and debate - will be held at Collegium Budapest. The topic will be the new book by Vladimir Goss, titled: Four Centuries of European Art, 800-1200 - A View from Southeast (Četiri stoljeća europske umjetnosti: 800-1200. Pogled s jugoistoka) (Zagreb, Golden Marketing, 2010).

The program is the following:

Xavier Barral i Altet – Presentation of the book

Ernő Marosi and Béla Zsolt Szakács – Critical comments

Vladimir Goss – Responses


Vladimir Goss is a Professor of Art History at the University of Rijeka, he has taught several years in the US (Michigan-Dearborn, Michigan-Ann Arbor, North Carolina - Chapel Hill), among other works, he is author of Early Croatian Architecture (London: Duckworth, 1987) and Pre-Romanesque Architecture in Croatia (Zagreb: Art Studio Azinović, 2006). He was President of the Governing Board of the Institute of Art History, Zagreb (2005 -2007).

Xavier Barral i Altet, Professor Emeritus of Art History at the University of Rennes, is currently a Fellow at Collegium Budapest; Ernő Marosi, senior researcher, Institute for Art History at the HAS, Professor Emeritus at the Eötvös Loránd University, is a former Fellow at Collegium Budapest; Béla Zsolt Szakács, Associate Professor of Art History at the Pázmány Péter Catholic University and the Dept. of Medieval Studies at the Central European University, is also a former Fellow at Collegium Budapest.

Vladimir Goss is also the main coordinator of the website ROMANIKA.NET. The website is dedicated to the research project The Romanesque between the Sava and the Drava Rivers and European Culture, and contains a wealth of information on the subject.